Just sent my first submission proposals to Wizards of the Coast’s Dungeon and Dragon magazines. I hope they like them. I haven’t submitted any writings proposals before, but I am fully aware that I am more likely to get turned down than accepted. Every writer’s workshop has insisted on that. It would be nice if they accepted my ideas, because then I would get paid for them. But, should they choose to reject my ideas, I will post them here anyway. I like them, that’s why I sent them!
I would like to do more game design to expand on the Dark Sun Campaign setting as I felt the book was lacking in material. Fortunately for me, a few in my gaming group have indicated they would like to return to my Dark Sun campaign. I shall have to enlist them as guinea pigs.
Anyway, wish me luck!
Yesterday, my group and I got together to celebrate the belated birthday of one of our own. He’s a huge R. A. Salvatore fan so we got him the new Legend of Drizzt board game. I had purchased the Wrath of Ashardalon game some time ago and it had been received well, so I figured this would be an excellent gift. Wrath of Ashardalon is a fun game and makes for a quick D&D-esque experience and is easy to play even after a drinking way too much beer from watching football before sitting down to play a game. Why wouldn’t Drizzt’s own boardgame be any different?
Indeed, it is pretty much the same set-up as Wrath of Ashardalon. And like Wrath of Ashardalon, it is a quick game for bored gamers who can’t decide on what type of campaign to get involved in or what character to make once a campaign has been decided upon. The game designers incorporated some new elements in the Legend of Drizzt that separates the dungeon from the Ashardalon dungeon. I am glad for this because I was afraid that this would be an exact duplicate of Wrath of Ashardalon.
Also, the character powers were custom-made to parallel their counterparts in Mr. Salvatore’s novels. My friend had a huge smile on his face as he summoned Guenhwyvar. You know, the big cat that follows Drizzt around. Yeah, well if you play Drizzt you get to have Guen…
There are, however, plenty of choices so playing Drizzt, Wulfgar, and the team can be different each time you approach the game.
I played Bruenor only because, for reasons beyond my understanding, the game designers decided not to have Thibbldorf Pwent make an appearance. Seriously. Where is the battlerager? While I am not a huge Salvatore fan (I prefer the early years as opposed to the past 10), I thought Thibbldorf was pretty cool. I’m pretty sure most people do to. Why did they not include him? The saving grace (from my perspective) was that Bruenor can take an extra point of damage to inflict another point on a creature he recently attacked. Drizzt, of course, gets to make two attacks…and have a cat…
I got the impression that Drizzt is a little over-powered. But I guess that should be expected as his name is on the box.
We all (generally) enjoyed the game, but not enough to play for too long. I think its fun, but it is not really a substitute for role-playing with your gaming group. A nice distraction, but that is all.
But this latest installment of the Wizard’s 4E board game series led me to ponder the following:
What is it with Wizards of the Coast game designers obsession with so many game components? There are so many pieces to the board games, that Jer, a member of my gaming group and NOT a fan of the board games, basically said he would rather jot down his condition on a piece of paper. (which I responded, “so shouldn’t we be playing D&D?”)
But even the table top version of 4E is littered with too many components to it now (fortune cards, power cards, miniatures, etc.) that I am not exactly sure what I am playing anymore. It has just recently struck me: why, when I print out a character sheet from the character generator, do I get 8 pages of cards? I don’t want to play Magic, I want to play D&D. What is up with the all the cards?
I digress. Legend of Drizzt was a fun game, even if some of the pieces seemed a little superfluous.
First, I got married and I’m really excited because, while my wife thinks my gaming hobby is nerdy, she is totally supportive of my interest in, and writing about, gaming. She does a great job at pretending to be interested in my stories and character ideas. Who could ask for anything more?
Second, winter will be setting in here in Upstate New York which means my group is going to start gaming again. And with the start of the “gaming season”, I have found myself contemplating what I need to do to keep my player’s interested in our games. You see, I have a problem. I love to role-play. I mean, I really love role-playing and I don’t think my players are all that into it. They like the challenge of a fight and the thrill of opening a treasure chest, but when it comes to interacting with my NPCs (or each other for that matter!), it’s like pulling teeth. I have been desperately trying to figure out a way to get these guys serious about role-playing something.
Compounding the issue for me is that I have just discovered George R. R. Martin’s “Song of Ice and Fire” series. (Yes, I know. I am way behind the times on this one.) I purchased Robert Schwalb’s RPG set in Westeros and it is fantastic! I have always liked the story-teller game system. (It uses a roll and keep system similar to Legend of the Five Rings and Seventh Sea.) But, more importantly, character design is linked to house design. Meaning, in order to make your character, you have to build your character’s family house!
How cool is that!
Anyway. As you can probably guess, I want to play Song of Ice and Fire. But will my players? We shall see. My players have been uncertain and non-comittal about starting up again. The last time we hit a lull in gaming we didn’t return to gaming for quite some time. My great concern is that, indeed, a long winter is around the corner: a winter devoid of gaming.
So, what happened in the past year? Well, I got a job working with a firm that ate up quite a bit of my time, which was expected. My role-playing group continued to gather each week to play Darksun and we had quite a bit of fun. (I will try to do a recap at some point and pick up where I left off with prior posts). My job, unfortunately, was temporary and after six-months my contract was up and I was let go. Also, my gaming group decided to put on hold any campaign during the summer months as many in my gaming group have families and would prefer to enjoy the summer outside doing family things. We live in upstate New York. Winter seems to last an eternity and the summer months become a flurry of events, outings, cookouts, picnics and vacations. Gaming generally takes a back seat anyway.
After being let go, for the past few months I have been looking for work and “freelancing” as an attorney taking whatever client comes my way. Needless to say, I’m broke. And given my financial situation, I haven’t been feeling too good about the future. I am currently writing, part-time for a local legal publication that pays the bills, but that is about it.
There is, however, a silver lining to all of this. Well, two silver linings. The first is my fiance and her heroic level of patience and understanding with my struggle to find legal work. The other is that I have discovered that I missed writing this blog, writing adventures and being creative. In order to keep my sanity, I’m going to pick this blog back up and write. I will find time, no matter what, to keep at it. My gaming group will be gathering to play again in a few months and I have a ton of ideas. Sitting down and putting those ideas to paper has been such a source of joy and relaxation during the past few months, that I am almost taken aback by how much I really do love gaming. Perhaps I should try to get published…?
I don’t know. The thought has always been in the back of my mind, to take part in game design and story-telling. Perhaps this could happen in the future. But as of right now, I’m focused on the next job interview and writing to keep me sane.
I haven’t posted in some time and that is because my fiance and I have moved from our run down apartment in Albany, New York to a very nice townhouse in East Rochester. It was a very hectic move as everything that could go wrong almost did. Our car’s master cylinder fried itself a week before the move. I got sick before and after the move. I had a job interview two days after our move. And, of course, because my fiance and I are from the Finger Lakes area, the past week has been one filled with “we need to get together and have lunch/dinner/beers with insert family/friend/acquaintence here>.” Not that I mind…it’s just hectic.
Our new home is nestled amidst a wooded area that is absolutely beautiful. Rivendell was the first thing that came to mind when I saw it. The only thing missing is a river and some elves…(and, of course, if I had the One Ring, the whole job situation would be the least of my worries!)
In a few hours my old gaming group is getting together to play Dark Sun with yours truly as the Dungeon Master. I am very excited to play, for it has been at least three years since I have played with these guys and five or so years since I have really DMed a session. I have spent a lot of time trying to find ways to get my buddies into the “feel” of Dark Sun. That has involved a series of House Rules that I will be experimenting with as well as background music to play.
To make Dark Sun more brutal, I am incorporating critical hit charts and critical fumble charts that are based on damage type. Included in these charts is the chance for an instant kill. Calculated it is approximately .017% chance that on any given attack roll, someone is going to be killed instantly. I like that. I have also included the 2nd Edition weapon materials rules that modify attack and damage based on the materials used to make the weapon. I suspect that after a few sessions we will stop using this rule as I am finding it to be a tedious addition to my own NPCs and monsters while writing adventures.
The background music I have selected include the Age of Conan: Hyborian Adventures Soundtrack from the online video game. It is incredible and fits perfectly. I plan on adding the original Conan Soundtracks to the playlist. In addition, I am adding some pieces by Lisa Gerrard (of Dead Can Dance fame). Her particular and unique vocal style and language add a otherwordly quality that I think will enhance the gaming experience.
In any event, it is six in the morning and I have approximately ten hours before we begin playing…I can’t wait.
This weekend I finished an adventure I was designing for my upcoming Dark Sun campaign. Aside from my usual difficulties with generating compelling adventure hooks, I struggled with dungeon design and encounter building. Last night, after a full 12 hour day of writing, re-writing and a 6-pack of beer, I completed the basics. This is not the first time I’ve struggled with 4E encounter building. As such, I decided that I was going to discuss my problems with the 4E encounter building process. To my surprise, The Chatty DM has already discussed this and quoted Robert Schwalb’s blog in the process. Truly the stars must be in alignment today. Perhaps The Chatty DM and Mr. Schwalb have stumbled upon a higher order concerning the aesthetics of DMing? I think so.
So, what is the problem? As others have pointed out, it is the carbon copy template of encounter building that is the problem. The template looks something like this: You have an 8 x 8 room with a warband that is going to fight another warband, the PCs. This suggests (in fact encourages) a “fight-loot-fight-rest” structure to an adventure. The PCs enter the dungeon and move from one room to the next, killing, expending resources, resting and then move on to the next room. I describe this as the World of Warcraft design. Now, to be fair this isn’t necessarily a bad thing. For the new player who is familiar with World of Warcraft, it is an easy transition to D&D. And, subsequently, Wizards of the Coast’s income stream increases so we old-timers can continue playing with new content.
But the problem with the World of Warcraft designing philosophy is that it is so damned hard to write an adventure the way I used to write adventures back in the day. Role-playing gets downplayed, or as Mr. Schwalb as suggested “occurs between encounters”. Compounding this issue is that I am forced to make many alterations to the creatures I am using to make sure that all of the creatures in the encounter fit my adventure theme. Otherwise, if I pick any creature to fill out the missing “warband role”, the encounter seems like a hodgepodge of creatures generated by a random die roll. That’s no fun for the role-player because it makes no sense.
I have always designed my adventures and dungeons using the Gary Gygax dungeon ecology model. This model focuses on the ecology of the dungeon and how the different creature factions within the dungeon balance the power between themselves. This opens the door to a whole host of role-playing options within the dungeon for the players to choose. This approach facilitates story generation and advancement of the campaign. The Chatty DM does a wonderful job using the pre-existing 4E rules structure to compliment the ecological approach that The Chatty DM is calling “Neo-Gygaxian.” (I love this label, by the way.)
The Neo-Gygaxian model, to sum it up, is basically dividing the dungeon into a number of sections with a number of rooms. You then pool the experience points for each room/encounter in a section and divide that total in any way you wish. If the section of the dungeon is part of a quest, leave some of the pool left over for quest rewards. You then do it again for the next section. You should read these blogs yourself. They are fantastic guides to dungeon creation.
So…after hours and hours of trying to make a dungeon/adventure for my future gaming group, I ended up doing something very similar described by Mr. Schwalb and The Chatty DM. I am happy with the outcome. I can’t reveal any specifics because my players read this blog, but future adventures and dungeons should be easier (and quicker) to build with this Neo-Gygaxian model.
A friend of mine (who has a penchant for rogue-ish campaigns) lamented that the 4E rogue skill list doesn’t allow you to make rogue characters that have specialties within the “career” of a rogue. The main problem, as he saw it, is that when a rogue trains in Thievery, he has a +5 bonus to every subset of skills that fall under the “thievery” category. Ergo, in a thief campaign, everyone can do everything. I can’t help but agree.
However, before I inadvertantly indict 4E (yet again) for an issue with mechanics, I think it wise to reflect on why skills operate the way they operate in 4E. Skills are purposefully broad so as to allow a player great latitude in determining their character’s next course of action in a given situation. Its simplicity actually facilitates role-playing and allows the players to participate in the story-telling. The writers at Dungeon-Master.com have been doing some great work with exploring the concept of the skill challenge and other ways of looking at a character’s skill set.
With that said, if an enterprising DM desires to write a campaign with a specific campaign theme, such as a “Thief’s Campaign”, these generalized skill categories aren’t going to help engender the atmosphere and flavor of such a theme. Considering that I have an idea to run a Forgotten Realms Harper’s Campaign (limiting PCs to Bards, Rogues and Rangers) sometime in the future, I thought it would be a good idea to come up with an alternative system.
What I did first was to break down each of the 4E skills into their sub-skills. If a 4E character class had the option to train in the category of skill, they could elect to train in the sub-skill. For example, Thievery encompasses Disable Trap, Open Lock, Pick Pocket, and Sleight of Hand. Therefore, a rogue character can opt to train in any of those sub-skills. He could not opt to train in any of the sub-skills that are encompassed by the Arcana skill (Detect magic, Monster Knowledge, Arcane Knowledge). Some of these skill categories do not have clearly defined sub-skills. These skills, such as diplomacy and intimidate, I have left as is. These categories are indeed broad and cannot be narrowed down to a manageable number of sub-skills.
Next, I totaled the number of skill bonuses available to a character class when they train in a standard campaign. This is, essentially, five times the number of skills available for training. Therefore, a rogue has an initial 30 points worth of bonuses, i.e. the rogue trains in a total of 6 skill-categories. The player then adds the modifier of the character class’ primary attribute. So, a 1st level rogue with a dexterity score of 18 would have a total of 34 points.
The player then selects the number of skill-categories to train in according to the character class description. For a rogue, that means they must train in Stealth and Thievery, plus any four. After that, the player then distributes the bonus points to any of sub-skills located in the skill-categories selected to a maximum bonus of five. After doing this, the player then adds all attribute modifiers associated with the sub-skill’s category, along with any racial or feat bonuses.
For example, if I wanted to make a halfling rogue that is a smart-alecky and nimble pick-pocket, I would pick the following skills to train: Stealth, Thievery, Acrobatics, Bluff, Streetwise and Perception. A 1st level halfling rogue with the following attributes could have a skill spread such as this:
Attributes (using the standard array found in the player’s handbook): Str: 10 (+0) Dex: 18 (+4) Con: 13 (+1) Int: 11 (+0) Wis: 12 (+1) Cha: 16 (+3)
Acrobatic stunt: +1 (skill bonus)+4(Dex bonus)+2(halfling bonus) = +7 (total); Balance: +1 (skill bonus)+4(Dex bonus)+2(halfling bonus) = +7 (total); Escape Grab: +2(skill bonus)+4(Dex bonus)+2(halfling bonus) =+8 (total); Escape Restraints: +2(skill bonus)+4(Dex bonus)+2(halfling bonus) = +8(total); Reduce falling: +1(skill bonus)+4(Dex bonus)+2(halfling bonus) =+7 (total).
Con-artist: +3 (Skill bonus) +3 (Charisma bonus) = +6 (total); Disguise: +0 (Skill bonus) +3 (Charisma bonus) = +3(total); Forgery: +0(Skill bonus) +3 (Charisma bonus) =+3 (total); Gamble: +1 (Skill bonus) +3 (Charisma bonus) = +4(total); Gain combat advantage: +1(Skill bonus) +3 (Charisma bonus) = +4(total); Create a diversion: +3(Skill bonus) +3 (Charisma bonus) = +6(total).
Listen: +2 (skill bonus) +1 (Wisdom bonus) = +3 (total); Spot/search: +2 (skill bonus) +1 (Wisdom bonus) = +3(total); Tracking: +0 (skill bonus) +1 (Wisdom bonus) =+1(total)
Move Silently/Hide in Shadows: +5 (Skill Bonus) +4 (Dex bonus) =+9 (total)
Word on the street: +3 (Skill Bonus) +3 (Charisma bonus) = +6 (total)
Disable Trap: +0 (Skill bonus) +4(Dex bonus) +2 (halfling bonus) = +6 (total); Open Locks: +0(Skill bonus) +4(Dex bonus) +2 (halfling bonus) = +6(total); Sleight of Hand: +3 (Skill bonus) +4(Dex bonus) +2 (halfling bonus) = +9(total); Pick Pocket: +4 (Skill bonus) +4(Dex bonus) +2 (halfling bonus) = +10(total).
As you can see my halfling rogue’s focus is on escaping grabs, picking pockets, and being a con-artist. He will not be the locksmith of the group.
The pros of this alternative approach are (1) it will allow players playing in a campaign that narrows their choices in character generation to differentiate themselves from the other characters with the same character class and (2) the skill point spread isn’t that far removed from what a standard array would look like. Therefore, this alternative skill selection will not make skill checks that much more difficult to hit the DCs the Dungeon Master will present during in-game challenges.
However, the negatives are (1) there will be things a character trained in a skill-category can’t do well, such as disable traps in the example above; (2) the players may be constrained in using their skills in more creative ways as they have compartmentalized their training in sub-skills; and (3) this will not work as well in a standard adventuring party, i.e. if there is one thief in the group and he can’t open locks, the party is going to be hamstrung when dealing with a trap-based encounter.
I hope this helps to add some flavor to your home-brew alternative campaigns.
DM’s Discretion has always been my favorite rule. It was the source of all power in the multiverse and it was taken from the Dungeon Master in the 3rd Edition, but after many battles with the rules lawyers, 4th Edition has returned control back to the Dungeon Master, albeit in a somewhat reversed, behind the scenes sort of way. When DM’s discretion was exercised prior to 4E, it was exercised to settle in-game disputes. Now, the discretion occurs prior to the game. In effect, the Dungeon Master becomes a rules legislator. A general survey as to how the rules of the game have changed can explain what I mean.
During the good old days of 2nd Edition the simplified rule set was focused primarily on combat. The Dungeon Master’s task was to use what was available to make determinations for player actions not covered by the rules. How many remember this tired old phrase from their Dungeon Master: “Hmm…ok, make a Dex check.” This, of course, could infuriate the rules lawyers in the group who, being the good lawyers that they were (and I am serious about that) would point out the inconsistencies between the call for “dexterity checks” and advocate for a strength check or for some kind of bonus to an ordinary attack roll. And we all remember how those discussions went: the Dungeon Master would have to assert his authority or the rules lawyer would take control of the game.
Now, that is not to say that such use of discretion was a bad thing, but clearly, gamers wanted something more concrete and less arbitrary. They wanted a rule that they can rely upon when thinking about how to kill the ogre charging down the corridor, or unlocking the trapped chest full of goodies. Enter Dungeons and Dragons 3.0 and 3.5.
These games fully democratized the game and turned the Dungeon Master into just another player, or a merely a referee of a game. The d20 system simplified the general formula for determining success and failures with the game (which was genius), and with that, there was no room for the Dungeon Master’s discretion without sounding completely arbitrary. With the multi-class and feat system a player could design his or her character in any way that he or she saw fit. Aside from some general campaign prohibitions, the Dungeon Master was powerless to stop the PCs from doing just about anything. If the Dungeon Master attempted to alter a rule, a competent and well-read rules lawyer could make a very compelling argument as to why the rule should remain the same. Any work a Dungeon Master wanted to put into an adventure or villain had to be supported by a concrete rule to justify the action. Not that this was necessarily a bad thing, but it does create a lot of work for the Dungeon Master. I once spent 8 hours researching the Dungeon Master’s Guide, The Player’s Handbook, both Forgotten Realms books and the Book of Vile Darkness to create a red wizard of Thay that could, in the very first round of combat, cast a twin-quickened-maximized fireball (free action) followed by a maximized meteor swarm (Standard action). Another villain I made could kill a PC instantly with a critical hit if the PC failed a fortitude saving throw vs. 38. He had a critical range of 15+ and with his chaotic evil vicious two-handed sword he could inflict 10d6 + 25 damage on a critical hit against my lawful good player characters (and there were a lot of them in the party). Both villains were totally legit. Unfortunately, I never saw these villains in action…but I was ready for any complaints!
Of course, the 3rd Edition of the game brought a whole host of rules. Some players, Dungeon Masters included, found this to be too unwieldy and the game became more about rules and less about story-telling, a valid criticism to be sure.
Fourth Edition of course has provided a streamlined version of the game. (I am not exactly sure if you can say it is all THAT streamlined…) But, the game has certainly changed: it has simplified combat (sort of) and simplified the role that skills play in the game (sort of). This is, of course, from the player’s perspective (read: “Rules Lawyer’s perspective”), makes it easy for rule adjudication, character design and developing combat strategies. From the Dungeon Master’s perspective, the Dungeon Master has been given chapter after chapter of rules that are really just “the rules about the rules”. These “rules about the rules” provide the Dungeon Master with limitless possibilities to mold and shape anything and everything in the game. From skill challenges to monsters, the Dungeon Master can do just about anything and it is entirely legit. The Dungeon Master, when countered by a rules lawyer hell-bent on challenging something (usually anything) the Dungeon Master has in mind, can point to chapter 10 of the 4th Edition Dungeon Master’s Guide and explain why the goblin that just killed the PC is a 6th level ranger with fire powers.
This is what I like most about 4th Edition. The rules provided in the Dungeon Master’s Guide are the nuts and bolts to the very game itself. The rules provided in the DMGs are at the heart of the gaming reality to be molded by the Dungeon Master. Dungeon Master’s Guide One and Two are truly tomes of magic and wisdom that equip the Dungeon Master with the necessary tools to legislate effectively and, as Gary Gygax once stated, “to give shape and meaning to the cosmos.” The game designers at Wizards have produced a set of rules that places the Dungeon Master back where they belong, at the head of the gaming table.
To pick up where I had left off the other day, (and to continue venting my disappointment with Dark Sun), I am happy to point out that there are 117 pages of rules errata for the 4th Edition Dungeons and Dragons. And, to be clear, the statement ‘I am happy to point out’ is utter sarcasm. There is something terribly wrong with this product when the game designers at Wizards have to “rely on the input of others”. What happened to thoroughly play-testing a product before releasing it? I have no idea.
To be clear, there are plenty of good things about 4e…I’ve just haven’t decided I am ready to stop complaining about it yet.
Critical Hits blog writer, Vanir, posted an interesting article concerning a play called “of Dice and Men”. The play is about two friends wherein one enlists to go to Iraq. It is an exposition of gamers and their relationships. The author, Cameron McNary said of his motivation:
“I wanted to write about the kinds of gamers I knew, not the cheeto-stained, overweight, mom’s-basement-living stereotype, but the highly-functional, attractive, fun-to-be-around folks I game with.”
In any event, this author is attempting to do the impossible and portray gamers in an honest light, as opposed to the geeky light that pop culture is so quick to use. If you have $5 to spare, help this guy out.
Attached is a YoutTube clip of the writer, Cameron McNary, promoting his play “Of Dice and Men”.
Many, I’m sure, were as eager as I to purchase the 4th Edition Dark Sun Campaign Setting when it was announced over a year ago. I was so desperate to read and dive head first into the Silt Sea and start wrestling with Silt Horrors that I pre-ordered the book. When the great tome arrived on my doorstep the first thing I noticed was how thin the book appeared. Sadly, I would discover that the book’s thickness reflected the effort put into the remake of one of D&D’s more legendary campaign worlds.
First, let me explain why I was so eager to read the 4th edition version of Dark Sun. The world, in a nutshell, is different from any fantasy gaming world out there. Sure, there are now post-apocalyptic games available, but at the time Dark Sun was first released back in 1991, D&D players had little to choose from. Indeed, the campaign source books available were very similar in scope, history, culture, and plot. Since its release, no other campaign world by TSR/Wizards has compared to the distinctness of Dark Sun. What made Dark Sun so memorable?
Obviously, the research and writing that went into creating Dark Sun was stellar and the results of such work unique. The setting focuses on ecological disaster in a world reminiscent of Sumeria or Babylonia. The gods of this post-apocalyptic world are either dead or they have abandoned the population to the arbitrary whims of the Sorcerer-Kings. Civilization hangs on by a thread as the people starve under the yoke of their cruel masters. The writers, Troy Denning and Timothy Brown, went to great lengths to rewrite standard D&D races to reflect how such poverty, resource depletion and godlessness would affect their cultures. Who doesn’t remember the first time they tried to shake hands with the not-so-jolly halfling cannibals of the Forest Belt? Or tried to negotiate with an elven dune trader in Baalic? Not this guy!
But what really made the world of Athas unique and come to life was that the 2nd edition rules changed to fit the world. The world was no longer a backdrop for a dice game, but the world affected the mechanics of the game itself, which added a level of reality to the role-playing experience. For example, to reflect a defiler’s abuse of the land and give a player an incentive to be evil, the defiler class gained levels faster than their preserving counterparts. Psionics were commonplace and operated with a wholly different system than magic. As metal was scarce, weapon attack and damage penalties were added to reflect the materials the weapons were made from, thereby making combat more brutal and desperate. Armor was so hot that a player would have to wear “piece mail” as opposed to the whole suit, which would affect the character’s armor class, thereby adding to the brutality of combat. And finally, my favorite rule of all was that a player’s character could turn evil if the party ran out of water by failing a saving throw versus death. Dark Sun was a beautiful amalgamation of rules and story-telling that I have not seen duplicated. The effect of this brilliant game designing was a unique experience that forced the player’s, even those that don’t like to role-play, to role-play. The 4th edition setting does not do this, or at least, not very well.
So what happened? The authors Richard Baker, Robert Schwab and Rodney Thompson, provided aesthetic descriptions with few rules modifications, most of which are optional. The net result is a watered down version of Dark Sun that does not reflect the desperation and survivalist themes incorporate in the original. All in all, the Dark Sun Campaign Setting feels like 4th Edition Dungeons and Dragons in a desert and not the burning sands of Athas.
To be fair, the campaign sourcebook provides some optional rules to make things “tough” on the players as they trek through the wilderness. For example, they incorporated “Sun Sickness” and a -5 additional armor check penalty for sun sickness or endurance checks if a character is wearing heavy armor. But, heavy armor is still available!? Why!? The authors provide a flimsy reason: it is made from chitin with holes drilled into it to cool off the wearer. WHAT!? Furthermore, all weapons are presumed to be made from bone, obsidian or stone, so there are no penalties added to your attack and damage. It seems as though the authors were afraid of upsetting potential players by taking away their favorite toys. But taking away the player’s toys is exactly why 2 Edition Dark Sun was so memorable.
Another disappointing aspect of the book is that it does not address the non-standard races that appear in Player’s Handbooks 2 and 3. The authors give each a mere 2-3 sentence paragraph and expect you, the Game Master to do all the work. The authors gave the standard classes the same short shrift as the races. Now, I don’t mind working for my game, but I do not purchase a campaign setting so that I can do a bunch of extra work to make the campaign setting that I had just purchased.
The problems with the 4E Dark Sun campaign setting are a reflection of the problems with 4E in general. The game has sacrificed realism for ease of game play. There are ways of manipulating the 4E rules to tailor your game and match your gaming style, but here the authors did not go far enough. Indeed they seemed timid and their product weak. The authors could have done so much more to make the Dark Sun 4E stand apart from a Forgotten Realms campaign or an Eberron campaign. If you are an old-timer like me, then you probably have one of the Dark Sun box sets. If so, use it as supplemental material. I used them as resources to develop my own rules to make the world of Dark Sun more like the way I remember it: beautiful and brutal.